Fiction


Five Prayers of a Day E-mail
2010: 7 - Fiction
Written by Umayr Hassan   
Monday, 15 November 2010 20:33

Fajr, or "when will dawn arrive?"

 

“Why be infatuated with him?”

“He's proud, he's pretentious — the world's not the right fucking place, now that he's turned his eye upon it.”

 

“Yes.

 

He's the man I'd die for in one instant, and kill the other.”

 

I would own you. Each stubborn hair on your head — your chest. The shy ones on the inside of your thighs.

I'd own how you look,

the way your chin stands up against the world,

the way your spine props straight up,

and how your body conquers the space about it.

 

But not your voice.

Not the violence in your pronouncements, or the force of your reason.

 

It's this secret eruption that baffles me, binds me to you, and renders me your slave.

 

 

Zuhr, or "a thousand splendid suns"

 

I yearned to look into your eyes. To have stayed there. Another day, I'll have told you how souls are reflected in eyes, how such an intimate encounter is also the brink of a precipice.

 

I yearned to speak. To have broached a sensible subject. To have, finally, yielded to a conversation punctuated with the silence of deep breaths. Here's a beginning for us...

 

You seemed to have been interested in me in a crowd avid for you. I liked that. And hell yes you were beautiful.

 

This is my journey, my absent beloved. Toward a certain emotional strength, bubbling with curious acceptance and courageous initiative. I will have loved you, innocently and profoundly. I will have remembered you. A singularity in the life of my mind.

 

 

Asr, or a childlike lover

 

What questions

does one ask about one's lover

 

What answers

can one stumble upon?

 

Where?

 

The curves of his face,

Small of his back,

The nape of his neck?

 

Are lovers in bed

like waves in an ocean -

the lover,

gracefully,

dissolving into the beloved?

 

"Then said I:

Lo I come

in the volume of the book written of me." (Psalms 40)

 

Maghrib, or the twilight zone

 

In his novel Querelle, Genet writes: "Everything is a gift... Every minute, a gift is placed into his hands at the whim of a generosity that leaves its mark forever... He is feeling his way with the aim of establishing forthwith a possessive relationship with things."

 

Elsewhere, Edmond Jabes writes: "I learned to love men in the hour when I tried, with all my strength, to be loved."

 

 

Isha, or darkness falls

 

[The first part of night]

 

The child playing with his riddles feels anxiety surge in him. Having no imaginary friends, he scrambled to discover those who remained closest to him. To find solace in the lavish attention of a ringing laughter. From the outside. To find in-sight. Through all the graces of their faces.

 

So many postscripts have come together. But have his thoughts been sentenced to oblivion? What did he start out to say? What must he say to move every element of his being?

 

His tattoo is cracking up again. He can feel it. The taut, grim skin grating against itself.

But when will he hear back from them, and them, and him? All day long he longs for a conflagration of hope in dense despair. So many threads — notes, links, landmarks — tangled knots — in such clumsy hands. Or, why can't he love his father even from a distance anymore? Why would rather he stretch a void in memory, instead of filling in for their silence?

 

Another day, a prayer day, his words and voice will only be a murmur of his dancing.

 

[The second part of night]

 

I fear my mother's dreams, I fear their power to see right through her child and to gauge his deepest secrets.

I feel the prayers of three matriarchs for this child against hatred and rejection.

What he wants

is to will into being

warm sunshine and a cool ocean —

grumbling but not deranged —

and infinite sand.

For his mother. And the memory of his father.

 

I will murder you, my child, with the violence and the banality of my fears.

 

[The third and last part of night, when God leaves Heavens to be with the ones calling him by his name.]

 

In one fell swoop his tongue traced the contour of your face. Your chin arose in a graceful swoon. His tongue lay thick, rode slow, across the stubble on your face.

You broached a corner of his lips,

a moment before the abyss,

nip,

tuck,

and the Earth stood agape.

Haunted.

 

Not a moment astir.

 

Then the feeling faded and the vision faltered. You were more a brush than a touch - a glare, a lurch. No, you admitted, not him. "There's something eating me up inside." Seven, eleven, three hundred and. Sadness has spilled over, all over — an endless worldweariness — a steady repetition of halting torpor.

 

What will you say? How will you pose this problem before spewing analytics? Will your silence ever support the trembling of your words? But you only cared for the mime of his lips. Friend, "WHAT DO YOU SEE IN ME THAT I CANNOT SEE?"

 

That love is cruelty. But making love an insight.

 

"It is this process of dissolution that constitutes the entire ceremony."

 


 
Broken Nets E-mail
2010: 7 - Fiction
Written by Radhika Baruah   
Monday, 01 November 2010 19:40

Today I cast my net in lonely red waters. The red river looks redder today and the fish is scarce. Everyone else is fishing in the waters yonder. They have politely but firmly let me know there is no place there for my little boat. All day I have sat here and I haven’t caught half a regular morning’s worth. Shanti and Reva look at me with curious eyes from their boat. I know that wily old Ram ’kaideo has been wagging his tongue all around the village ever since the Army inquisition. Everywhere I go, I meet with the same glances — half curious, half afraid. And today I have been silently distanced from them all.

It is hard to believe that this very community that stares at me with such coldness today had opened doors to Rashid Mian and his friends four rains ago. Rashid Mian – such a charming young man he seemed!  He brought with him the scent of freshly crushed tea leaves and yet he claimed to be a fish monger.  I took to him like abandoned calves take on the village belles who feed them. Hungrily I gorged on Rashid Mian’s stories from the other lands. And he sang such lovely songs about the Padma!  Every time he came into the village, I found myself casting my nets more and more frequently in the same waters as him.

 

My parents did not approve of my spending time with an eater of cattle. But Rashid was not just another eater of cattle — he brought me life. I did not believe the rumours when they first travelled down the red river. But maybe I should have. The river never lies. It was wrong on my part to question age-old wisdom.  A man like Rashid could not have fitted into the stories brought by the river, I reasoned with myself. Nonetheless to appease everyone, I turned my meetings with Rashid secretive.

 

We began meeting at sundown, in the shelter of the glowing redness of the skies. I would row out on one-eyed Kusumkumari’s little raft, Kusum being my only comrade who believed in Rashid. (I personally suspect that Kusum was smitten with Rashid, but she would never tell me. Why would she?) We took turns in drawing back nets lest someone saw our rafts floating suspiciously in the evening waters.

 

Rashid Mian regaled us with witty anecdotes. He gave me dreams of a luxurious trouble-free life. Sometimes he brought expensive fruit from the towns. One winter he brought me an embroidered shawl and massaged my cold scaled feet with commercially packed medicinal oil. I only wished I could carry it all to my mother and my ailing sister. “You can have all this and much more if you do what I do,” he said, pressing my hand. Our eyes met.  Such fire he held within him.  For the first time, my attention was diverted from his stories to what work he might be really doing. Surely a fisherman on the other side of the border could not earn so much just by selling fish. Or could he?

 

“Of course he can,” Rashid had laughed tousling my hair. His fingers always sent live currents through my body. Perhaps there was the magic in those hands. They could catch the biggest fish in the river. The biggest, the most exotic, the most in demand varieties at the market. “Yes, he can. The trick is to follow the currents of the river and the currents in the market. Be like those currents and flow. Men like me live like the river does. In abundance. But we have our share of sacrifices too. For like the river, we know not one single ghaat, state or country. We flow from one node to another to another until an unsuspecting dam traps us. And then we must make for ourselves a different route of movement.” That day, as Rashid spoke, a xihu swam into my net and I noticed it only too late.

 

Mother wasn’t happy with the haul. But the village feasted. Mother said killing xihus is bad luck. The river will avenge its death. Ram ’kaideo meanwhile directed the young women of the village to carefully separate the oil from the meat. “It is good fish bait. We will have a good week”, he said gleefully. That night thunder rolled the skies and it rained all week.

 

When I met Rashid thereafter, he looked worried and tired. We sat staring into the waters and observed the xihus jumping into the horizon in silence. I fidgeted with the chords of my net. Xihus should never be put in nets. They were never born to be captured nor were they born to live in the same waters all life. Could I too shift waters? Could I swim in the rivers Rashid flowed with? Perhaps Rashid read my mind. He patted me and sighed, “To each fish his own waters. To each fish his own course of swimming. To some it is their destiny to swim into nets.”

 

Then, three moons ago, Rashid Mian suddenly told me he will not come back for a long time. “Let me come with you to your village,” I said. Rashid refused. They will never let a Shankari live safely in their village. So I must not dream of crossing over. I must stay patient and believe: Tomorrow will be a brighter day. Little did I know, he was himself a stranger to his own village now.

 

No sooner had Rashid left, the Army arrived. This village gave shelter to HUJI members they insisted and they demanded the terrorists be turned in. Three elders were beaten publicly and left bleeding. The Army was back the next day too. I came back home with empty nets to a weeping ma and a severely assaulted deuta. They have birthed ULFA cadres, the Army insisted. My ailing elder sister and the pregnant one-eyed Kusumkumari were taken away, we don’t know where.

 

I sit mulling over the storm that has unexpectedly ravaged my home and dreams. A xihu quietly finds its way into my net and attempts to jump. The net rises like an ominous hand upsetting my little boat and its contents. No more xihus in my net I scream and frantically cut away at the twines of my net. The xihu slips out and executes a jubilatory splash before disappearing into the musky redness of the evening waters. I sit back wiping my hands with the edges of my lungi trying to calm down my violently swinging old rickety boat. Firmly I hold down those surging unnameable desires and emotions rising within. Sun down and I shall row back to my wife, my children, my bruised aging parents. I will return with broken nets to hungry and hurt stomachs. To every fish his own waters. To every fish his own course of swimming. But what when your waters abandon you? Where do you swim?

 


Note:


The Brahmaputra, the main river flowing through Assam is also called Ronga-nodi or the Red River. The word ’kaideo is short for Kokaideo or Elder brother, here a generic reference to a village elder. The word Mian is used in Assamese to denote a Muslim from Bangladesh as opposed to Assam. Padma is a river in Bangladesh A xihu is a river dolphin found in the Brahmaputra valley. A Shankari is a devotee of the god Vishnu who is a follower of the teachings of Shankardev. HUJI stands for Harkat-ul-Jehad al-Islami and ULFA stands for the United Liberation Front of Assam.

 


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